Wednesday, July 11, 2012

Writers and Writing: Alice Winston Carney



Writer’s Block airs every Tuesday, at 9 a.m. MST on KFUN/KLVF, streaming live at www.kfunonline.com
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On the Air with Alice Carney

Alice Carney and the Writing Life

Author and workshop facilitator Alice Carney seems more comfortable talking about everything under the sun, but herself. In our interview on Tuesday she revealed an enthusiasm for the subject of writing and kind of glazed over her own accomplishments. Below are her written responses to the questions I asked on Writer’s Block. She is an experienced writer and a wonderful communicator. Perhaps that comes from her 20-plus years as a Dale Carnegie instructor.
 
WB: Let’s begin by you telling us a little about yourself.
AWC: I grew up in Las Vegas and graduated from Robertson High School and Highlands University. I live in Sacramento, Calif., and, now that my husband Jim and I are retired, we spend part of the year at our place in Sapello. I have been a Dale Carnegie instructor for over 20 years and taught in the Communications Department at Sacramento State University. My favorite course to teach was Rhetorical Criticism because I worked deeply with the students on their writing, getting them to question the words they choose to use and the ideas they professed.

WB: Tell us about A Cowgirl in Search of a Horse.
AWC: A Cowgirl in Search of a Horse is a collection of stories about growing up in Las Vegas in the period between the end of WWII and the Vietnam War. One of my English professors at Highlands, Dr. Mallory, said one day in class, “If you don’t write down what happens to you, it will go away.” The stories in Cowgirl are a way to keep an earlier Las Vegas, as seen through my eyes, from going away.

WB: Have you always wanted to be a writer?
AWC: I have always enjoyed the idea of writing. I was lucky to have good English literature and journalism teachers from junior high through high school and college. Our seventh grade English teacher Tom Clark had us write weekly book reports that were limited to 50 words. I think that exercise taught me how to edit and get rid of all those extra words that clog up writing. Mrs. Lancaster at Robertson was a great journalism instructor, she encouraged us, but also critiqued in a way to make us better writers. I wrote for and edited my college newspapers and wrote for newspapers in New York and California. I have always kept a journal. I belong to a writers group in Sacramento.

I like to write, to work on the process of getting ideas across, playing around with words and telling stories. Does that make me a Writer? I still don’t know.

WB: What prompted you to start the Green River Writers Workshop?
AWC: I had been working on some of the stories that ended up in Cowgirl for a number of years but was not sure where to go with them. I took an on-line memoir writing course through Gothem Writers’ Workshops and that helped my skill level. I learned to be less general and to be more specific (for instance, to write about Las Vegas so that it does not come across as any small town but as a unique place with unique people living in it).

Then six years ago I attended a week-long memoir writing workshop in Taos with Natalie Goldberg, the author of Writing Down the Bones, a book I would recommend to anyone who is thinking about writing. That workshop was helpful on a general creative level, dealing with how to dig into your own experience and recreate it for the reader. There were 40 people at the workshop, most of them from out of New Mexico and no one except me from the other side of the mountains from Taos. I thought that Las Vegas would be a good place for a memoir writing workshop because there are so many stories to be told here. I literally had one of those flashes of insight: I could put on a writing workshop. My strength is in coaching and teaching and helping individuals and groups develop their ideas and skills, so I could do that part. I loved writing and had some experience, but not the deep publishing record that would be needed to give credibility to the workshop. I knew where to go for that.

I called my friends Gerry and Lorry Hausman who graduated from Highlands with me and now live in Florida. They are authors of over 75 books and have received national awards for several of those books. They are editors and publishers and gifted teachers. I asked them if they would like to come to Las Vegas the next summer and put on a memoir writing workshop with me. They did, and five years ago we held the first annual Green River Writers Workshop.

Since that first workshop we have also held workshops in Sacramento, Calif. and at the Fredericksburg Art School in Fredericksburg, Texas. We have people come from Las Vegas, Santa Fe, Silver City, New York, Colorado, Texas, Atlanta, Georgia, and this year we go international with Kenji Okuhira, a photo-journalist from Tokyo attending.

WB: Why did you select Las Vegas as the site?
AWC: Because we come here every summer, my family and friends are here, and because Las Vegas and northern New Mexico have such a rich cultural and creative history. I knew Las Vegas had an active writing and creative community from which to draw and I thought that the area would be an interesting destination point for writers from out of the area. You have a great bookstore in Tome on the Range and the Plaza Hotel has been supportive location for us.

WB: You keep it relatively small. Why is that?
AWC: We like the intimacy of a group that is 15 or less. We get to learn from each other through talking about writing and hearing each others work. Gerry and Lorry and I like the dynamic of a group this size.

WB: What do you want attendees to get out of the experience?
AWC: Our basic goal is for them to understand how to turn memory into story. In addition, our goal for beginning writers is confidence in their own voice, an awareness that their stories are interesting and should be written; the basic skills of good writing (for example, how to appeal to the reader, how to use active rather than passive verbs, what point of view works best). For experienced writers, to see them challenge themselves, take themselves to new levels. As with any creative work, with writing, there is always more to learn; when we stop leaning, we stop growing.

 The last day we focus on the rapidly changing and complex world of publishing. In addition to Gerry and Lorry’s and my experience, we will be bringing in Mina Yamashita, a writer,  book designer, and publisher to talk about  writing, designing and illustrating books in the digital age. 

Since our first workshop, several of the attendees have published books or are in the process of publishing. Joseph Baca (KFUN/KLVF owner) is one example.

Publication is not necessarily a goal for all members of the workshops, but for those who are looking in that direction, we offer expertise and guidance. We do believe that it is good to get your work out of your desk drawer (or off your computer) and into the light.

WB: There is an anthology of work by previous attendees. Let’s talk about that.
AWC: Green River Anthology, is a collection of the work of many of the workshop attendees over the past four years. We have had such good writing come out of the workshops, and we wanted that writing to be shared with a larger public. You will see a wide variety of writing styles and world views, poems as well as prose. We are proud of the level of writing in this anthology.

Several Las Vegans are included in the anthology: Petey Salman (my cousin), Maggie Romigh, Carol Ganyor, and Joseph Baca.

On Friday, July 20, from 5 to 6 we will be holding a reading and book signing of the anthology. It will be an enjoyable evening and a good way to learn more about your local writing community and support your local writers.

WB: What do you get from being a presenter?
AWC: Years ago, when I first started teaching, coaching, and running workshops, I thought about how lucky I was, because each time I work with a group of people and get to see them grow and develop their talents, I feel like I have fallen in love again. How many people get to fall in love several times a year?

WB: What is the one thing writers can do to improve their writing?
AWC: Write. As John McPhee said, "A writer writes." Read. You can’t be a good writer if you don’t read good writers. Develop the reading habit. Hang around with writers. Join a writing group. Take a workshop. Write.

WB: Anything last thoughts?
AWC: Whatever your creative urge is, writing, painting, drawing, music, photography, just walking in the woods, honor it. Remember your stories and find a way to share them before they go away. By sharing your story, you could make a difference in another person’s life.

The book signing for the Green River Anthology will be Friday, July 20, 5 p.m. at Tome on the Range.
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Friday, July 6, 2012

Writing and Writers: It's all about books


Writer’s Block airs every Tuesday, at 9 a.m. MST on KFUN/KLVF, streaming live at www.kfunonline.com
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Great children's books and programs at a hometown bookstore


Children's section at Tome on the Range, Las Vegas, NM
My interview with Suzanne Cole, former landscape designer and now children’s book specialist at Tome on the Range, was a joy. Her enthusiasm for her job, an inborn sense of fun and an apparent love of books made for a lively conversation and new insight into the bookstore’s commitment to providing an adventure in reading for all ages.

Suzanne said the “Where's Waldo” contest will continue through July. What is it? Look for Waldo at participating stores and collect four tickets to win a Waldo button. Eight tickets earns an entry in a drawing to win various prizes including art supplies from Art Essentials and Waldo books. Participating businesses are Unikat Jewelers, Tito's Gallery, Stuff, New Moon, Art Essentials, @ the Plaza, Threadbare, Pam's Flowers, Plaza Antiques, Wardancer Gallery, Semilla Natural Foods , Tome on the Range, and Gordon's Jewelers.

The much anticipated summer day camp, “Riding the Rails,” runs from July 30 to Aug. 3 from 12:30 to 5 p.m., for ages 8-12. The camp will take place on Monday and Thursday at the Las Vegas City and Rough Rider Memorial Museum. On Tuesday and Friday sessions will be at the parish hall on the Plaza. The highlight of the week will be a train ride to Lamy for a visit to the railway museum there. There are only eight openings left, so parents need to get to Tome soon to assure their child has a spot at this year’s camp. Fee for the camp is $50 per child.

Suzanne also brought several children’s books as examples of the variety available in the colorful and well-stocked children and youth section.

Picture books included Cowboy Ned and Andy, by Ezra Stein. What will Ned get Cowboy Bob for his birthday? The answer is found on the wonderfully illustrated pages of a book that teaches about what is important in life.

Wumbers by Amy Rosenthal is a fascinating approach to reading and thinking. Parts of the words are represented by a number, as in 4tune. Wumbers requires strict attention and is a great way for children to learn concentration and thinking on more than one level.

For intermediate readers Suzanne brought:
Bink And Gollie - Two For One, by Kate DiCamillo. Bink and Gollie, different in every way and fast friends, use teamwork and smarts while checking out the wonders at the state fair. It’s a funny and warmhearted story of friendship featuring the visual humor of illustrator Tony Fucile.  

Three Times Lucky, by Sheila Turnage is the hilarious tale of rising sixth grader Miss Moses LoBeau. (From Penguin.com “Miss LoBeau  lives in the small town of Tupelo Landing, NC, where everyone's business is fair game and no secret is sacred. She washed ashore in a hurricane eleven years ago, and she's been making waves ever since. Although Mo hopes someday to find her "upstream mother," she's found a home with the Colonel--a café owner with a forgotten past of his own--and Miss Lana, the fabulous café hostess. She will protect those she loves with every bit of her strong will and tough attitude. So when a lawman comes to town asking about a murder, Mo and her best friend, Dale Earnhardt Johnson III, set out to uncover the truth in hopes of saving the only family Mo has ever known.”

The Case of the Deadly Deserados, by Caroline Lawrence. (Kirkus Review: Twelve-year-old P.K. “Pinky” Pinkerton was born with a poker face—he can’t show or read emotion—but it’s not until he lands in Nevada Territory’s silver-mining country that he comes to terms with the hand he’s dealt. This fast-paced and deadpan-funny Wild West adventure is Pinky’s first-person account, scrawled out as “last words” on ledger sheets in a mine shaft while three desperados hunt him down. Read more…

I confess the young adult selections Suzanne brought were interesting enough that I might be adding them to my book list, which leads me to comment on the reading lists developed for summer reading for kids of all ages. Suzanne said everyone at Tome contributed to the development of the lists, which run the gamut from paranormal to sweet children’s book with simple messages. The following are suggested books that I found intriguing.

Name of the Star, by Maureen Johnson. (From Maureen Johnson’s website: The day Louisiana teenager Rory Deveaux arrives in London marks a memorable occasion. For Rory, it’s the start of a new life at a London boarding school. But for many, this will be remembered as the day a series of brutal murders broke out across the city, gruesome crimes mimicking the horrific Jack the Ripper events of more than a century ago. Read more…

Clockwork Angel (The Infernal Devices Series), by Cassandra Clare: (Goodreads review: When sixteen-year-old Tessa Gray crosses the ocean to find her brother, her destination is England, the time is the reign of Queen Victoria, and something terrifying is waiting for her in London's Downworld, where vampires, warlocks and other supernatural folk stalk the gaslit streets. Only the Shadowhunters, warriors dedicated to ridding the world of demons, keep order amidst the chaos. Read more…

For more about about books in general and children's books in particular, stop by Tome on the Range and talk to Suzanne or any of the booksellers.They'll be happy to help you.
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Writing and Writers: Candy Marie Bridges



Writer’s Block airs every Tuesday, at 9 a.m. MST on KFUN/KLVF, streaming live at www.kfunonline.com
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Author shares her story in Meet Me in the Mountains

Candy Marie Bridges doesn’t claim to be a writer, and says her memoir, Meet Me in the Mountains, was written because people asked her to write it. Looking at her website and seeing all the things she’s involved in, writing probably does take a back seat, but there is no question that she is a writer. Meet Me in the Mountains is her story, told in her unique voice, and it speaks to readers about choices, living to encourage others, and the healing power of faith. 

In our interview on July 3, she was charming and upbeat, just the kind of person you would want to spend time talking to. It is obvious her faith shapes her character and informs the way she lives. Below are her written responses to the questions I asked her on the air.

WB: Let’s begin by you telling the audience a little about yourself.
CMB: Originally I am from Southern California. I was born and raised there until I was 20 years old. At that time in my life, I married my husband Mike Roe, and we moved to Chandler, Ariz., where we lived, worked and raised our three children. In 2003, my husband died suddenly of a wrongful death and in January of 2006, as a widow, I moved 100 miles north to Pine, Ariz., a rural mountain town with only 1000 full time residents.

WB: Meet Me in the Mountains is a memoir. What prompted you to write your story and share it with others?
CMB: People often ask me, "Why did you move to the mountains? Why are you doing what you are doing? How did this place come to be?” The answers to these questions are not simple. So my prompting came from the guests who stay here where I live, work and serve at Breath of Life Retreat House.

WB: Have you always wanted to be a writer?  
CMB: No I never wanted to be a writer. It never entered my mind. It's funny now because when I think of all the times I was asked the questions about why I am here and how I got to live in the mountains, I would jokingly answer,  "I could write a book." After a couple of years of saying this, I was encouraged by a friend who is an author and editor to tell my story so others might find the value in faith, hope and love.

WB: You also have a business creating personalized calligraphy gifts. What inspired this entrepreneurial endeavor?
CMB: I was inspired in college during a non-credit calligraphy class. I was captured with the lettering art and the perfection, yet non perfection with hand lettering. I desired to meld both words and art to create inspirational and scriptural sayings. It took years, but I finally created a line of prints and sell them online at my website.

WB: Are some of the messages on the items created by you and if so what inspired the sentiment?
CMB: Most of the items are scripture based messages. I have a few that I wrote myself like A Wedding Day Prayer, A Covenant Marriage, A Poem for Son and one for Daughter. The very first poem I wrote in 1981 is titled, Balloons. I was so enthralled watching them float by our home on early cold winter mornings that I was inspired to share my thoughts in a poem. I also share a story in my book about my own balloon ride and how my mom and I experienced the balloon crashing in the desert.

WB: Tell the audience about Breath of Life Retreat Center and how that came about.
CMB: Breath of Life came about several years after the unfortunate wrongful death of my husband. I share a dream I had just two weeks after he died during a nap where I heard the words, Retreat House. Through prayer and discernment, I created a place of rest, peace and comfort in addition to providing guests a place to share time with each other and with the Lord. The year and a half long renovation of Breath of Life involved many friends and family who supported me in this vision. The majority of our guests are quilters, scrap bookers, staff from churches and Bible study groups.

WB: You have your hands full between your calligraphy business, managing the center and writing. Where do you find time to fit it all?
CMB: That's a great question. I have yet to conquer the time issue. I don't think I ever will. I am constantly reprioritizing my day. Ultimately though, our guests and the retreats we host are priority. My calligraphy business is taken care of during the week days. There are phone calls, emails, shipping calligraphy orders, preparing meals for our guests during retreats and cleaning up that entail a big portion of both my husband’s and my week.

WB: What do you hope people get from reading your book?
CMB: I hope they receive through my story, the ability to realize when tragedy strikes, there is always hope. There is always a choice in how and where we get our strength to press on. I believe our lives will never be at rest or at full peace until we join Jesus in heaven, but in the meantime, we can find inner peace and hope through Him. Just as He died for each and every one of us, we sometimes need to die to ourselves and reach out to others who are hurting. This may be in silence through prayer or a listening ear or using our talents and gifts to help others. There can be great healing through service.

WB: What writer's inspire you and why?
CMB: I don't have a particular writer who inspires me. I am mostly inspired by those who step outside themselves to help others, both in big ways and in small ways. From mothers and fathers, nurses, teachers, missionaries, and just ordinary people doing little and big things for others in their daily lives.

WB: What did you learn about yourself in the course of writing Meet Me in the Mountains that you didn't know before?
CMB: I learned that although I am not a writer by profession or degree, I was able to tell my story in my own words. It was difficult re living painful memories through writing my memoir, but also healing. Many memories came to the surface while writing and I was surprised more than once how this happened, funny stories included. Even though I wrote my book to share my life with others, I have been told by close family and friends that I also wrote my book for myself. Being the type of person who is never bored and always too much on my plate, writing forced me to sit and reflect in an orderly way, my life then and now and put perspective on it.

WB: Where can readers find your books?
CMB: My book can be found purchased at my blog http://www.CandyMarieBridges.com in addition to Amazon and Barnes and Noble.

WB: Any last thoughts.
CMB: Yes. I would like to let people know that my book also has questions at the end of each chapter. If you are looking for a book for a group study or book club, the questions will promote thought provoking answers from those participating. I would like to thank you for having me as a guest. I appreciate the time and I hope people will visit my blog and read my book.
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Wednesday, June 27, 2012

Writing and Writers: Rosemary Zibert


 Writer’s Block airs every Tuesday, at 9 a.m. MST on KFUN/KLVF, streaming live at www.kfunonline.com
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Book Recounts the Transformation of a "Little Princess"


Rosemary Zibart is a journalist, playwright and children’s book writer. She is proud of her advocacy and many of her media articles tackled issues such as how art can transform the lives of at-risk teens, and the Heart Gallery, which promotes the adoption of children and teens. True Brit: Beatrice 1940 is a book for ages 8-12 that has been enjoyed by readers of all ages.

This is a charming story about a young girl forced into growing up quickly when she travels across the ocean in the unwelcome company of three small boys who don’t speak English and who, like Beatrice, are traveling without benefit of adult presence.

When Beatrice gets off the boat there is no family to meet her; she still has a ways to go aboard a train that will take her to a life more different than anything she can imagine. The countryside, the people, the home she will be living in, nothing is as she expected.

With the help of her father’s parting gift of a little red leather book to keep a record of her experiences, and taking her courage from Mary Kingsley, a valiant British explorer, she begins to make the most of a life unlike she has ever experienced.

Beatrice is one among thousands of European children who were sent to safety during World War II. Rosemary plans to write more about these children in the continuation of the series.

Interview Summary

WB: Tell the audience what prompted you to write this story.

WB: What research did you do to so clearly depict Santa Fe and northern New Mexico in the 1940s?
RZ: I read as much as I could plus I have a background as a journalist in this area for 20 years so I had written a number of articles about Bohemian artists, public health nurses, etc.

WB:  Beatrice is a world away from her home in more ways than distance. How were you able to capture a child-like view of rather frightening and life-altering circumstances?
RZ: Thanks for saying that I captured her voice. That's the key thing a writer tries to do. To find a character's voice and maintain it so you should always know who's speaking. I have always been fascinated by children facing ordeals so that's the subject of the entire book series "far and away," children who were displaced and relocated during 1939-1945.

WB: Is Beatrice a composite of children you know?
RZ: Not really. I did think of the character Mary in A Secret Garden. She (Beatrice) is not as nasty as Mary starts out but she's also spoiled and self-centered.

WB: She seems rather mature for her age. Is that a consequence of her circumstances or her station in society?
RZ: I was a precocious child myself.

WB: Beatrice evolves rather quickly in this story and I thought your use of Mary Kingsley as a role model was brilliant. Tell how you decided to use this adventurous woman in the story line.
RZ: That use of Mary Kingsley came late in the book's development. An editor told me Beatrice was whining too much, that she needed to be more adventurous so I added the reference to one of the most adventurous women I've ever heard of. Rudyard Kipling said of Kingsley, "She must have been afraid of something...but no one ever figured out what."

WB: This is part of a series. Tell us about that and have you begun writing the next one?
RZ: OMG. I've already written the next book called Forced Journey: Werner, 1939. It's a much rougher story, more complex and written in third rather than first person. I'm doing edits right now and hope to finish by August.

WB: How are you choosing the child protagonists?
RZ: From their stories. I'm seized by a story. I'm very plot-driven, but usually it's the inner story of growth and transformation that most appeals to me.

WB: In the course of writing Beatrice what did you learn about yourself that you didn’t know before?
RZ: Beatrice is about a poor little rich girl who is forced to roll up her sleeves and do things for others. Which is similar to me. I constantly have to be forced out of my little world in order to care for and do things for others. One of the projects I take time out for is Minds Interrupted: Stories of Lives Affected by Mental Illness. (WB NOTE: For more information about this program go to www.mindsinterrupted.com.)

WB: What other projects are you working on?
RZ: Another OMG! I'm a playwright and have a play being produced in Albuquerque this fall, plus I'm trying to get one produced in Santa Fe sometime later this year or early next year.

WB: Any last thoughts or comments.
RZ: Just that writing and reading is such a mind-expanding way to experience life I hope it's not replaced by games, which are clever, but don't stimulate compassion and understanding  about other human beings which to me is the purpose of life.

For more about Rosemary and her work, go to www.rosemaryzibart.com/.  
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Writing and Writers: Melanie Atkins



Writer’s Block airs every Tuesday, at 9 a.m. MST on KFUN/KLVF, streaming live at www.kfunonline.com
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The bodies drop in these plot-driven stories

My live interview with Melanie Atkins was a great conversation about her books, her muses and her ability to turn out new work regularly and on deadline. Melanie provided brief answers to my questions via e-mail and her responses are below.

Her stories are set in the deep south and filled with hot “…cop heroes and women who know what they want. No fainting violets here.”

As an inspiration Melanie stands apart. She didn't "...really get back into writing," until 2001, but when she did, she hit it full out and with commitment. She has published 13 books since 2004 and is working on number 14.

Interview Summary:

 WB: Let’s begin with you telling us how long you’ve been writing.
MA: All my life, beginning with stories about my cats when I was a kid. I wrote some in high school, then went to college and got married, and life got in the way. I started writing again after my divorce, got serious about seeking publication in 2001, and sold my first book in 2004.

WB: Was this what you always wanted to do and why?
MA: I never really knew what I wanted to do until I found writing again. Then I knew.

WB: Tell us about getting published
MA: I'm currently published with Desert Breeze Publishing and Whiskey Creek Press, but I do have plans to self publish an older title I pulled from another publisher. I'm going to see how it goes.

WB: What is the hardest part of book creation, the writing or the promoting and business side?
MA: Promotion is definitely the hardest. So many avenues exist now online, with so many social networking venues, blogs, websites... it's mind blowing.

WB: It seems you have a pen name for some of your books. What are the reasons authors use a pen name instead of always publishing under their given name?
MA: I use a pen name for all of my books except some mainstream Southern fiction. I still use my ex-husband's name (I kept it because of the kids) and I didn't want to use that on my books. So I chose a pen name.

WB: You stated in something I read that your cats are your muses. Talk a little about that.
MA: I talk to my cats sometimes as I bounce ideas around. They look at me, giving me the idea that they're listening, even though I know they're not. Helps me think. lol

WB: Give listeners a little background about your novels and what inspired them.
MA: I write suspense set in the deep south. Everyone has always told me to "write what you know," and the south is what I know best. I've also done a lot of law enforcement research and attended a lot of conferences to help me get it right when it comes to cop info, guns, and the like. I love mysteries and sitting on the edge of my seat. So... bodies drop quite frequently in my books. The darker the story, the better.

WB: You are a prolific writer. What is your writing schedule?
MA: I write all day a couple of days a week, and partial days the rest of the time. My mother is elderly, and I have to spend time with her and run her errands, buy her groceries, etc. Let's just say I write whenever I can.

WB: What is your preferred writing method – pen and paper? Computer? And why?
MA: Computer. I could never keep up with my ideas writing longhand.

WB: What writers inspire you?
MA: I love to read Lisa Gardner, Karen Rose, Linda Castillo, John Sanford, Tess Gerritsen, and Jonathan Hayes.

WB: What are you working on now?
MA: Right now I'm writing the fifth book in my Keller County Cops series for Desert Breeze. I'm on deadline, so I need to get it done.

WB: Tell listeners how they can get your books?
MA: All of my books are up at amazon.com and many other online outlets. I also have my entire library of books on an Apple app for iPhones/iPads, and an Android app for those devices. Makes it easy for people to find all of my titles, learn where I might be signing one of my print books, and read excerpts.

To give you an idea of the books Melanie writes, here are a few of the titles: Chosen Target, Prime Suspect, Marked for Murder, Blood Rite, and Deliverance From Evil. For more about Melanie and her work, go to her website at http://melanieatkins.com

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